Iscreamer1

My suggestions are the following: 
Make Sora smarter and less comical (maybe less cheery, he needs some trauma having being crystallized.) in addition, give him a personal conflict
Give Riku some personal weight over Sora's disappearance and relationship with Kairi
Make Kairi a stronger character
Have Riku and Kairi replace Donald and Goofy as Sora’s main party members (they need more development after all)
Give Maleficent and Pete an extremely larger relevance to the plot, especially if they want to recruit more Disney villains.
Give Mickey, Donald and Goofy their own playable scenario
Only three Disney worlds, three Final Fantasy worlds and three original worlds (all with relevance, all original plots and no pointless shot for shot recreations)
Make the game darker and more mature with an older and savvier audience in mind (I.e. don’t be afraid to use words like “die” and “kill” more than once)
Tie up all the loose ends (we do not need more questions than answers)
No more convoluted stuff, keep the story simple
Better pacing and plot
Grounded combat (see The Killer Critic’s revision of KHIII’s gameplay)
No redemption or misunderstood bullshit for Braig or any of the other villains
More screentime for the villains (as in more scenes of them interacting with each other)
Adequate focus on the other heroes
No awkward or cringy moments (like those laughs at the end)
No cryptic speeches from any of the villains
Maybe see if Vanitas can return as a villain or an anti-hero who sides with Sora
Give the characters more physical affection
Have Sora fight the final boss all by himself or with Riku and Kairi by his side.
Any other ideas?

As in Riku and Kairi taking over asSora’s main party members instead of Donald and Goofy because I think it’s high time we got more of them together as a trio for the sake of interaction, development and seeing the original three (humans) together. Something KH III refused to give us.

I think the villains of this franchise are a lot smarter and way more interesting than the heroes. Think about it, Terra, Aqua, Ven and Eraqus lack sense and proper communication skills and Sora is no better either since he never fully understood the villains or their motivations with any sympathy, except for maybe Xehanort and Maleficent.

I think the villains of this franchise are a lot smarter and way more interesting than the heroes. Think about it, Terra, Aqua, Ven and Eraqus lack sense and proper communication skills and Sora is no better either since he never fully understood the villains or their motivations with any sympathy, except for maybe Xehanort and Maleficent.

I think the villains of this franchise are a lot smarter and way more interesting than the heroes. Think about it, Terra, Aqua, Ven and Eraqus lack sense and proper communication skills and Sora is no better either since he never fully understood the villains or their motivations with any sympathy, except for maybe Xehanort and Maleficent.

My suggestions are the following: 
Make Sora smarter and less comical (maybe less cheery, he needs some trauma having being crystallized.) in addition, give him a personal conflict
Give Riku some personal weight over Sora's disappearance and relationship with Kairi
Make Kairi a stronger character
Have Riku and Kairi replace Donald and Goofy as Sora’s main party members (they need more development after all)
Give Maleficent and Pete an extremely larger relevance to the plot, especially if they want to recruit more Disney villains.
Give Mickey, Donald and Goofy their own playable scenario
Only three Disney worlds, three Final Fantasy worlds and three original worlds (all with relevance, all original plots and no pointless shot for shot recreations)
Make the game darker and more mature with an older and savvier audience in mind (I.e. don’t be afraid to use words like “die” and “kill” more than once)
Tie up all the loose ends (we do not need more questions than answers)
No more convoluted stuff, keep the story simple
Better pacing and plot
Grounded combat (see The Killer Critic’s revision of KHIII’s gameplay)
No redemption or misunderstood bullshit for Braig or any of the other villains
More screentime for the villains (as in more scenes of them interacting with each other)
Adequate focus on the other heroes
No awkward or cringy moments (like those laughs at the end)
No cryptic speeches from any of the villains
Maybe see if Vanitas can return as a villain or an anti-hero who sides with Sora
Give the characters more physical affection
Have Sora fight the final boss all by himself or with Riku and Kairi by his side.
Any other ideas?

My suggestions are the following: 
Make Sora smarter and less comical (maybe less cheery, he needs some trauma having being crystallized.) in addition, give him a personal conflict
Give Riku some personal weight over Sora's disappearance and relationship with Kairi
Make Kairi a stronger character
Have Riku and Kairi replace Donald and Goofy as Sora’s main party members (they need more development after all)
Give Maleficent and Pete an extremely larger relevance to the plot, especially if they want to recruit more Disney villains.
Give Mickey, Donald and Goofy their own playable scenario
Only three Disney worlds, three Final Fantasy worlds and three original worlds (all with relevance, all original plots and no pointless shot for shot recreations)
Make the game darker and more mature with an older and savvier audience in mind (I.e. don’t be afraid to use words like “die” and “kill” more than once)
Tie up all the loose ends (we do not need more questions than answers)
No more convoluted stuff, keep the story simple
Better pacing and plot
Grounded combat (see The Killer Critic’s revision of KHIII’s gameplay)
No redemption or misunderstood bullshit for Braig or any of the other villains
More screentime for the villains (as in more scenes of them interacting with each other)
Adequate focus on the other heroes
No awkward or cringy moments (like those laughs at the end)
No cryptic speeches from any of the villains
Maybe see if Vanitas can return as a villain or an anti-hero who sides with Sora
Give the characters more physical affection
Have Sora fight the final boss all by himself or with Riku and Kairi by his side.
Any other ideas?

I hope you like the edits I did to the ending, but bear in mind it is in Japanese: https://youtu.be/_2m3C2eSkWw

There have been many Japanese franchises that have drawn confusion and alienation from Western culture, but there is nothing like them compared to Kingdom Hearts or Final Fantasy. The details of the series have fascinated a few generations of gamers. The replicating and copying of its characters and sheer convolution of the story became legends for the 21st century. Hindsight lets us look back to analyzing it's flaws, but when we ask who should have made the story of III better and how many opportunities they missed, we lose sight of a larger, more timeless lesson. From the modelers to the Square-Enix officials, from the technicians providing the technology to the most talented writers, everyone was participating in a continuity built on the sands of retcons and rewrites. The series simply did not operate in the ways the fans had expected them to be. Our society is probably working under some confusions of its own right now. People see this in Kingdom Hearts' story, they understand that it was more than a video game filled with Disney characters; they see confusion and tragedy that echoes the way of Japanese storytelling. The novel of Grave of the Fireflies told the story of two siblings stuck in hubris of their innocent pre-war world and the Gods of death struck them down, banishing them to the afterlife of fireflies. People also see examples of heroism and sacrifice that resonate to the core of everything we feel about human nature. In the end, Kingdom Hearts is not just the story of a boy that went out looking for his friends, but the story of those who were affected by him, whether physically or in spirit.

I still think to this day that they should have done the picture without Donald, with him and Goofy or not at all.

If Nomura knew what he was doing, he would have streamlined the plot and the dialogue so that things could be more clearer.

Recently,  I have come across John Barry’s slow, graceful music of ”Somewhere in Time” as well as the music of Tejano superstar Selena Quintanilla-Perez. Her song Dreaming of You reminded me of the game’s dream themes and I thought it reflected with how Riku and Kairi coped with Sora’s disappearance. For this, I have re-scored the final scene and credits of Melody of Memory to include this music: https://youtu.be/0LZ7AukgdW4

After hearing about the movie and the books, I think Artemis Fowl would make a great foe to Sora. Wouldn’t you agree? I mean, I could see Artemis verbally abusing Sora for how stupid he is compared to Artemis’ own intelligence.
What do you think his scheme would be?

I think Kairi’s death should have been more heroic, like Master Xehanort tries once and for all to make Sora his last vessel, but Kairi jumps into the fray and destroys it. Enraged, MX duels Kairi and then he kills her.
How would you do it differently?

That is an interesting observation.

Was anyone else hoping we would get Soranort in the game? Because I was a bit disappointed that we didn't. How do you think it could have worked in the game, because I have my own scenario: After his friends have been swept away, Sora is confronted by Xehanort who places his heart into him and it is Ventus who confronts Chirithy. Then, after all of the members have been killed, you can play as either Riku or Kairi to fight Soranort, then the rest of the final battle plays out with MX killing Kairi after she restores Sora to normal.
Any better ideas?

Was anyone else hoping we would get Soranort in the game? Because I was a bit disappointed that we didn't. How do you think it could have worked in the game, because I have my own scenario: After his friends have been swept away, Sora is confronted by Xehanort who places his heart into him and it is Ventus who confronts Chirithy. Then, after all of the members have been killed, you can play as either Riku or Kairi to fight Soranort, then the rest of the final battle plays out with MX killing Kairi after she restores Sora to normal.
Any better ideas?

“Just follow the key to your heart.”
Or something among those lines, can anyone give me the line in kanji?

“Just follow the key to your heart.”
Or something among those lines, can anyone give me the line in kanji?

“Just follow the key to your heart.”
Or something among those lines, can anyone give me the line in kanji?

“Just follow the key to your heart.”
Or something among those lines, can anyone give me the line in kanji?

Do you think Kingdom Hearts III could have been a bit or a lot better if it was more mature? I'm starting to think that's what Kingdom Hearts IV will be, but for this game, I think it could have been better if it took the Harry Potter route and became more darker and mature than the game we got, because it still felt like a kid's game that was afraid to show blood, use the words "kill", "dead" and their synonyms more regularly and not even one ounce of profanity. Not to mention Sora not being mature himself until after the Disney worlds are completed.
Any other questions or ideas related to this post to help me along, if not opinions on what I have to say? You be the judge.

I was hoping for maybe a version of Sora from the future, who becomes a Knight Templar who ensures that the universe will never bring about another Xehanort ever again.

You know, if I wrote Kingdom Hearts III, I would have more scenes focusing on not only the villains but more flashbacks of young Xehanort transitioned from scenes focusing on the older Xehanort himself. Since Xehanort deserved more screentime than what he got in the game, I think it would make the game more satisfying if we got cutscenes that tell us more about the lives of Young Xehanort and Young Eraqus outside of their chess games...perhaps even throwing some shades of homosexuality in there...*wink wink*
What do you say?

All 4 other members of Big Hero 6?